Butoh photos
February 12, 2008Honoring the mirror
January 12, 2008In 1996 I saw the deep similarities between butoh dance and Poekoelan (Indonesian-American Kung Fu).
A few other Evergreen students explored both, but I pursued Poekoelan as far as I could. I was one of two top ranked students. Frankly, I was second in the class to Mitch Belote. His devotion was matchless. I, however, spent my other credits in the dance department and gradually more and more with doranne crable’s butoh troupe, Kagami (the Japanese word for mirror).
Laurie Meeker described Poekoelan as a ‘broken mirror system’. Each practitioner brought their own individuality to the style. The similarities (or synchronicities) continued right up until the end of my time with those teachers.
I often envisioned a meeting between the two groups.
Here are some notes from the last millennium, written with an actual typewriter on a recycled Dance O’ Dance flier in which I find parallel or complementary choreography for the ‘critters’ and the ‘practitioners’.
Since doranne died…
November 22, 2007Since doranne died, Justin B. Wright, comedy consultant, has been telling the same two stories about her over and over, and that’s a sign he ought to write them down.
doranne preferred to leave both her first and last names in all lowercase. This isn’t one of the stories, but you ought to know in case you start suspecting Justin of laziness in the area of SHIFTING… or would that be SHIFTLESSNESS?
Justin suspects that doranne started it in homage to e.e. cummings, but he can’t remember any reason she gave. In graphoanalysis (a hobby of Justin’s) it would indicate issues of low self-esteem, but since doranne lived in a kind of bizzaro-world, a wonderful carnival mirror-world (if that feels kinder), Justin also suspects doranne used the lower-case to say, “Look at how I’ve become ego-less!” Consider how many people she would have had to correct who simply used the standard formula of proper nouns require capital letters to indicate respect.
Justin suspects he did not use the secretly respectful and more intimate lower-case when writing her name on official college documents such as Individual Learning Contracts and Evaluations.
Several years into their association, Justin noticed that doranne also wanted certain phonetic accent marks to be used with her name as well, like the flat line over the ‘o’ and the circumflex (hat) over the ‘a’. This meant, for the technologically challenged apprentice, writing in the marks by hand on posters/ playbills etc.
Justin will skip the accents in this blog. You can write them on your screen if you like.
Here’s the two stories, followed by a poem by e.e. cummings.
1. “I was getting stressed about my 20th reunion party, and I had taken up smoking cloves again. I got the e-mail that doranne had died from lung cancer, and I remembered that she had smoked cloves many many years ago. She told me that when her lungs started to bleed she gave them up. All the time I knew her she had been a health-nut. She danced. She did yoga. She ate healthy things and drank tea. She meditated. The message it sent me was: YOU CAN’T QUIT! I smoked the rest of that pack in her honor.”
2. “doranne was my advisor during my final quarter at Evergreen when I studied clowning. At the final performance, she was nowhere to be found. I asked her about it, and she said, “I’m afraid of clowns.” I thought, “That would have been nice to know 10 weeks ago when I was picking an advisor!” “However, we had been spending more and more time together over the course of two years, as I took every butoh module and leisure ed. offering, appeared in every Kagami performance, and arranged for video documentation of same. She was my teacher.
“During final preparations for one performance, she let us know what to wear. She said, “White button-up shirts and (looking at me) no polka-dots!” “Since I didn’t own a polka-dot shirt, I figured I was fine. The thought hadn’t crossed my mind. However, at the free box I found… a polka-dot button-up shirt! All I could remember was ‘costume-doranne’s instructions to me-polka-dots’, so I took it.
“I wore it to the performance, and you should have seen the look on her face! Luckily, I had a white T-shirt on underneath it, or I might have been cut from the show and troupe right then! That polka-dot shirt became my clown shirt. It has powerful magic.”
In conclusion, here’s a poem Justin sang during a jam session in Mod 317-A from around that same time. (emphasis added)
‘O sweet spontaneous’
O sweet spontaneous
earth how often have
the doting fingers of
purient philosophers pinched
and poked
thee, has the naughty thumb
of science prodded
thy beauty .how
often have religions taken
thee upon their scraggy knees
squeezing and
buffeting thee that thou mightest conceive
gods (but true
to the incomparable
couch of death thy
rhythmic lover thou answerest
them only with spring) — e. e. cummings
reception for doranne
November 17, 2007Roses, Late Summer
by Mary Oliver
What happens
to the leaves after
they turn red and golden and fall
away? What happens
to the singing birds
when they can’t sing
any longer? What happens
to their quick wings?
Do you think there is any
personal heaven
for any of us?
Do you think anyone,
the other side of that darkness,
will call to us, meaning us?
Beyond the trees
the foxes keep teaching their children
to live in the valley.
So they never seem to vanish, they are always there
in the blossom of light
that stands up every morning
in the dark sky.
And over one more set of hills,
along the sea,
the last roses have opened their factories of sweetness
and are giving it back to the world.
If I had another life
I would want to spend it all on some
unstinting happiness.
I would be a fox, or a tree
full of waving branches.
I wouldn’t mind being a rose
in a field of roses.
Fear has not yet occurred to them, nor ambition.
Reason they have not yet thought of.
Neither do they ask how long they must be roses, and then what.
Or any other foolish question.
doranne memorial and dance party
November 17, 2007“The Evergreen community suffered a significant loss in July when doranne crable died. Her friends and relatives respect her wishes not to have a formal memorial on campus but also realize that our community needs to honor her passing and her life. We invite you to help celebrate doranne’s life by joining us for a screening of a very special film, Gypsy Caravan, which documents the music and spirit of a group of people from countries that doranne had been to or planned to visit in her never-ending quest for new experiences and knowledge. The films director had originally titled the film, When the road bends, tales of a gypsy caravan, that is derived from the Romani proverb about how to cope when life doesn’t deal you a straight hand. doranne had been looking forward to teaching in The Gypsy Road: A Study of the Roma this fall and was surrounded by books, music, and images as she prepared for her class during her treatments for lung cancer. Her love of dance, song, a passionate story, and a good laugh will be felt again as we watch this film together.Please reserve the afternoon of Saturday, November 17, 2007 beginning at noon for the Olympia premiere of Gypsy Caravan (a film still in theatrical release). The film will be shown at Capitol Theater (206 5th Avenue S.E.), followed by a reception hosted by doranne’s family from 2:30-4:30 at the Heritage Room (604 Water Street, next to the Water Street Café). “
That’s the official story… Dance Party (Kagami Reunion) to happen next spring on or around her birthday.
Jusby got the email on the 10th. It had been forwarded several times. Neither the movie nor reception made it onto his calendar. Then his planner went missing for several days… under the bed. Orion’s pal, Isaiah, is celebrating his 5th birthday today from 3 to 5. Trish is working until 3:15.
Last night during “Crude Awakening” Jusby’s cell phone rang. It was Mara West (writer/director of “Pairadice” and “the Sundowner”) calling from California to ask about the memorial/ reception.
The Rose
October 9, 2007Here’s a better look at the linocut by Ron L. Burns.
He gave me #1 of 12. His mom has the same print framed in the living room.
Some say the meaning of an orange rose is that of enthusiasm, desire, energy and fascination. It says “I’m proud of you”.
I was especially interested in this one because of my ex-girlfriend, Arielle. Her mother had had a dream of an orange rose while she was pregnant. So Arielle’s middle name had to be Rose.
Not only was it Arielle’s middle name, but it was (and still is) my sister Elisabeth’s middle name.
Ron gave me this print during that relationship, eleven years ago. He also gave me lots of rides to pick her up or drop me off at her place.
I’m thinking that Ron had LOTS of unfulfilled desire. Not only was the rose itself orange but so were all the leaves and background!
Granted, this was a project in a college art class, so I can understand that he only used one color, and from what I know about him personally I’d guess his subconscious chose the orange.
The rose itself has been a potent symbol in my life, whatever the color. It was never more potent for me than in ’96 though.
I had been studying two esoteric movement forms that incorporated the rose: the Indonesian-American martial art poekoelan (under mas Laurie Meeker) and the Japanese post-modern dance butoh (with the late Doranne Crable). In poekoelan the rose represented a fierce beauty, a loveliness that will mess you up with her thorns. In butoh the rose was a gift that you offered at the conclusion of each performance.
I’d grown up in Portland, known as the city of roses.
So on my birthday in ’97 I got my first tattoo. A red rose. At the Electric Rose. By a guy named Mark.
Kagami Reunion Performance
September 27, 2007Tentatively set for Doranne Crable’s birthday next Spring.
Contributions by Kagami Butoh Alumni either live or via other media (vodcast, cd, film, conference call, etc.)
Discuss.
[Idea generated after a conversation with Mara West]
MORE BUTOH
August 10, 2007a partial list of KAGAMI performances 1995-1998
[in my video archive]
[known to have been taped]
- Doorkeeper of the Heart [the first on Red Square, edited from two cameras, April 20, 1995
- the Secret Garden [with leisure ed. students for Super Saturday, June 14, 1995]
- Windows [in Red Square]
- Black Apples [Static Shot] [as part of Strange Garden in the Midnight Sun, August 11, 1995]
- The Edge of One of Many Circles [in Red Square] [taped by the late Gabriel Parrish Parker]
- Butoh on the Bus [all over Olympia and to lunch at the Pleasant Peasant]
- All Souls’ Eve [in the Soccer Field, November 1, 1995]
- Sanctuary [the first with 3 chip Hi-8, edited together with S-VHS][in the Recital Hall, January 19 & 20, 1996]
Blue [in the Four Seasons, February 23, 1996]- Wounds [with Leisure ed. students]
- Heart of the Rose [as part of Beginnings, TESC faculty showcase]
- Sole, Soul, Sol [with leisure ed. students for Super Saturday, June 15, 1996]
- Seedlings [only a few minutes of this, curtesy Sandra De Carlo of Brazil] [with Debbie, Bruce, & Shaun (Katy on Bagpipes) at the Hall of the Woods, June, 1996]
- Framed [in the Midnight Sun with Sister Wendy]
- Barnes & Noble [static shot] [lecture demo trio with Bruce & Kelly]
- Honoring, Annie [Kelly & Andrew in the TvESC studio]
- the Laban Cube [Sydney & Debbie in the TvESC studio]
- Pandora [at Seattle's Amandari gallery as part of their Celebrating Asia Festival, September 6 & 7, 1996]
Elements [my directorial debut, in the Midnight Sun with students from the academic module, January 24, 1997]
Phoenix Rising: Golden Eye [in the Four Seasons, April 26, 1997 with the Four Seasons by Vivaldi as the main soundtrack element.- No One Stops to See a Flower [in front of the CRC with students from the academic module for Super Saturday, June 14, 1997]
- Remembrance, facilitated by Debbie Butler [with Mara, Sydney, Gabe, & Debbie at McClane Creek, August 23rd, 1997]
- Tanabata [my audio engineering debut for Doranne, Trisha, Gabe, & Sydney in the Silk Road window display for Artwalk, Oct 3, 1997]
- Mitsubishi protest [with Academic Modulites, in front of the Mitsubishi Union Bank of California in Seattle, Dec 13, 1997]
- Narcissus Dreams [for the Jung Society at St. John's Episcopal church, Dec 21, 1997]
- Tonglen [Doranne, Andrew, Sydney, Trisha, Bruce, Katy, & Justin, at the Nippon Kan in Seattle, February 21, 1998]
Kagami-Splinter Performances
- Brother, If You’re Hungry [solo in the TvESC studio]
- Breakfast [duet with Cherie in the media hallway, June 7, 1996]
- Fruit & Rust [duet with Debbie choreographed by Jessie Breznau in an abandoned Wood Mill near Elma, June 9, 1996]
- Wafer Thin [duet with Jessie Breznau at the Community Center, September, 1996]
- Abraxas [with Omophagia in the Capital Theater for the 13th annual Film festival, Midnight, October 21, 1996]
- Bodies of Work [in a Library 4300 installation by Larissa and Joe, with Andrew, May 28, 1997]
- Apocalyptics of the Millenium [with Splinter of the Olympics -Joelle Flegal & Ketan at Yo-Yo a Go-Go spoken word, July 16, 1997]
- Consumption [with Trisha, Marta Van Patten, & Kathy Sheffield as part of Dance O' Dance on TCTV, July 30, 1997]
- Why Not Take All of Me [duet with Trisha on Dance O' Dance, August 27th, 1997]
- Cock Fight [video project by Kelly with Mara, Quata, Cherie, Arrington, & Justin, the Suburban Oasis House]
- Fringe Fest/Piss Test [with Arrington & Kelly, Midnight Sun], Fall, 1998
An old self-evaluation
August 10, 2007I realize that I’m halfway through a story, but I’ve noticed that I’m getting a lot of hits from people searching for Doranne Crable information.
I found this self-eval archived on my old geocities webpage. It refers to several more of the many videos I have. It also uses obscure jargon or original words of my own invention.
“I conscripted a Boo! of three teratologists [monster studiers] to videotape Kagami in the witless landscape of the Recital Hall. They produced five tapes [Hi-8 and S-VHS] which I edited into a single tape of “Sanctuary”
Zen walking and waterfall yawning to the bamboo forest of baby monkeys before the
distant
dragon mountains
I inadvertently supported unofficial Super-8 filming which bred suspicions of hidden agendas and covert profiteering.
I videotaped two Kagami dancers in a public improvised piece facilitated by another contractee.
I produced a demo in the TV studio of the Laban Cube technique using two dancers on a bare set. I also instructed these dancers on the use of the TV studio cameras, so they could assist taping my solo which also used the Laban Cube but in the context of an Indonesian POWs story.
kagami also performed a piece called “Blue” in the 4 Seasons bookstore. I released my role of video coordination and fully entered into the dancer’s character as
a Rube with an allergy on the Coletrane to the loon bar
burning lightning bridges on the smallest violin.
By lamplight, the fortune telling miracle fish jumped, kiss-kiss-kissing indifferent and in love, activating the prelude to a mistaken identity rendezvous with the mirror and gesture to the center
of the blecherous lab rat territory
which was
pleasantly haunting
though I wish I could see it on tape. I’ve pressed into a potent membranous emotional frontier between the process of dancing and the product of a dance video.
At the request of Doranne and the dancers in the academic module I also released any videography of our final performance. For some it was their first performance, and I fully understood their desire to minimize the distractions. We performed in front of the Recreation Center at 4:44 PM with live musicians and more elaborate costuming than usual.
I wore hospital scrub pants with an inflatable life vest and large sponges taped to my feet. I carried a grocery bag of dried roses and walking stick insects to the center of the space where I offered them to the dancers.
The quarter had a terrific culmination in Seattle with the workshop and performance by the great Japanese master, Akira Kasai. His style is vastly different from the aesthetic that Kagami works in, but the intention is the same: to question and explore movement and sound using imagery from non-human sources. I had the honor of presenting Kasai-san with a copy of “Sanctuary” and the three studio pieces.”
Kagami on Evergreen’s Red Square
August 3, 2007This piece was based on Wallace Steven’s poem “13 Ways of Looking at a Blackbird”
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.II
I was of three minds,
Like a tree
In which there are three blackbirds.III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.XII
The river is moving.
The blackbird must be flying.XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
This video was shot by a friend of mine, Gabe, who had not seen butoh before, but agreed to run the camera for me, since I had not made any other arrangements. Gabe later disappeared. His truck was discovered in a parking lot overlooking the Grand Canyon. Later his remains were found in the canyon.
Butoh can do that to ya.
Rest in Peace, Doranne & Gabe Parrish Parker [how odd that he parked and perished]
Kagami Butoh at Artswalk ’97
August 3, 2007This piece, Tanabata, features Doranne, Trish K., Gabe, & Sydney.
Beginning a series at the end
August 2, 2007http://video.google.com/videoplay?docid=6330857721872273061
This is probably the last video I have of doranne crable, my butoh teacher, who passed away recently. I will initially post the clips of performances in which she appeared and eventually share the lot of them.
Posted by Jusby the Clown 










